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Niksic Celebrates Cultural Legacy as “European Capital of Culture 2030”

Editorial

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Niksic has been named the “European Capital of Culture 2030,” a recognition that reflects not just its vibrant present but also its rich historical and cultural heritage. One of the cornerstones of this cultural landscape is the Folklore Society “Zahumlje,” established in **1975**. Over the decades, it has cultivated generations of artists, musicians, and dancers, making it a significant contributor to the region’s cultural identity.

The Vuletic family stands as a testament to the enduring legacy of “Zahumlje.” Dragan and Danka Vuletic, along with their children Nikola and Milica, have dedicated their lives to the society, embodying the spirit of community and tradition. Danka reflects on their journey, stating, “Folklore has brought us everything.” Their connection to the arts began early, as both parents were active performers, and their children followed in their footsteps.

Dragan Vuletic, who has been involved since the society’s inception, recalls the early days with nostalgia. “We brought new energy and professionalism to the folklore scene in Niksic,” he explained. The society quickly grew from its roots as a choir to include various artistic forms, including dance and drama, attracting countless participants from the community.

As “Zahumlje” celebrates its **50th anniversary** this year, it provides an opportunity for reflection. Milica joined the ensemble in **1993**, performing in the main troupe for many years. Her brother Nikola, however, shifted his focus to sports, becoming a representative player for Montenegro in rugby. “It’s a proud legacy,” Danka remarks, noting how their family has created a lineage tied to the folklore tradition.

Through the years, the Vuletic family has traveled extensively, performing not only in Montenegro but also internationally. In **1985**, Dragan organized a tour to Russia, a significant milestone for the society. The family has performed in various countries, including Poland and Italy, showcasing their culture on grand stages. “We’ve performed everywhere, from the smallest villages to magnificent European halls,” Dragan recalls, highlighting the breadth of their experiences.

Despite the accolades, the challenges of the performing arts remain. Danka, who also led a children’s ensemble with over **200** participants, emphasizes the hard work that went into nurturing talent. Together, the Vuletic family has contributed significantly to “Zahumlje,” with both Dragan and Danka receiving awards for their dedication over the years.

The family’s connection to “Zahumlje” extends beyond performance. They have actively participated in the society’s maintenance, from painting its walls to organizing events. Dragan fondly remembers the community spirit that defined the early days, where everyone contributed to the society’s growth.

Interestingly, as the society celebrated its **50th anniversary**, the Vuletic family was not invited to the festivities, despite their long-standing involvement. “It’s surprising, considering our history with ‘Zahumlje,’” Dragan noted with a hint of disappointment, highlighting their deep-rooted connection that spans decades.

The impact of “Zahumlje” on the community is profound. Many families, like the Vuletic family, have forged lifelong friendships and even romantic relationships within its walls. Dragan describes it as a “second home,” a cultural hub that has shaped countless lives in Niksic.

As Niksic prepares for its role as the European Capital of Culture, the legacy of the Vuletic family and “Zahumlje” serves as a powerful reminder of the importance of cultural preservation and community engagement. The stories, performances, and dedication of families like the Vuletic’s ensure that the spirit of Niksic will continue to thrive for generations to come.

In essence, the Vuletic family’s journey through folklore is not just a personal narrative; it represents the heart and soul of Niksic’s cultural fabric, weaving together tradition, community, and artistic expression.

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