Holly Valance’s Controversial Track Removed from Apple Music

Holly Valance’s new song, titled “Kiss Kiss (XX) My Arse,” has been removed from Apple Music shortly after it reached the top of Australia’s iTunes song chart. The song, which Valance co-wrote with Pauline Hanson, the leader of Australia’s One Nation party, was released on January 26, 2026, coinciding with Australia Day.

The track satirizes various contemporary issues, including cancel culture and what Valance describes as “woke” ideology. It opens with provocative lyrics that challenge societal norms regarding gender and identity. The song includes lines such as, “You will respect my pronouns,” and “Not all ladies have ovaries, some have a penis,” reflecting the artist’s outspoken views on gender politics.

Controversial Themes Spark Debate

Valance’s lyrics continue to garner attention with lines like, “I’m a real biological woman” and “I’ll intimidate, I’ll indoctrinate.” The song also critiques media representation, stating, “We’ve got two dads on every TV ad / No-one wants a hetero cos they’re contraband.”

The song quickly climbed to the number one position, surpassing popular tracks by artists such as Olivia Dean and Harry Styles. Following its rise in popularity, users seeking the song on Apple Music were met with an error message stating, “The page you’re looking for can’t be found.” As of now, Apple Music has not issued an official statement regarding the song’s removal.

Valance, known for her career as a pop star and actress, has recently shifted her focus towards political activism. After a hiatus from the entertainment industry, she has become a prominent voice within right-wing circles. Her latest project, A Super Progressive Movie, which features the controversial song, follows four progressives navigating a satirical world under a fictional Prime Minister Hanson.

Valance’s Response to Censorship

In the wake of the song’s removal, Valance took to social media to express her frustration, stating that “actual liberals are FOR free speech.” She criticized the platform for allegedly silencing right-wing voices while allowing other forms of music that promote violence and other controversial themes.

Her remarks, which drew attention to the disparity in content moderation, have sparked discussions about the limits of artistic expression and the role of social media platforms in regulating speech. The singer emphasized the importance of diverse opinions, urging followers to recognize the implications of censorship.

Valance’s collaboration with Hanson underscores a growing trend of artists aligning with political figures to amplify their messages. Hanson’s statement on social media highlighted Valance’s enthusiasm for the project, indicating she resonated with the film’s humor.

As the conversation around free speech and artistic expression continues, the implications of Valance’s song and its removal from major platforms remain a focal point for both supporters and critics. The fallout raises broader questions about the intersection of art, politics, and public discourse in today’s increasingly polarized environment.

With ongoing debates about the content allowed on digital platforms, Valance’s situation exemplifies the challenges artists face when navigating complex social issues through their work.