French Film “The Stranger” Revives Albert Camus’ Classic Tale

The recent release of François Ozon’s film “The Stranger” has generated considerable attention as it brings Albert Camus’ iconic novel to the screen for only the second time in nearly six decades. The film made its regional premiere at the Zagreb Film Festival, showcasing France’s significant cinematic contributions in the “Big 5” program dedicated to Europe’s major film industries.

Ozon’s adaptation revisits the life of Meursault, a character often criticized for his emotional detachment and unconventional behavior. Originally published in 1942, the novel has sparked controversy and debate over the decades, particularly due to its exploration of themes like absurdism and existentialism. Ozon’s choice of soundtrack, featuring The Cure‘s “Killing an Arab,” adds a contemporary layer to the storytelling, linking the film to its literary roots while engaging modern audiences.

Historical context plays a crucial role in this adaptation. The original film version, directed by Luchino Visconti and released in 1967, faced significant backlash from Camus’ family, resulting in limited distribution. Ozon, aware of these previous challenges, has crafted a narrative that remains true to the essence of Camus’ work while speaking to contemporary issues surrounding colonialism and alienation.

The character of Meursault is portrayed by Benjamin Voisin, who delivers a performance that captures the nuances of a young man grappling with the absurdities of life. Critically, Ozon diverges from Visconti’s earlier interpretation, opting for a more youthful representation that aligns with the character’s original spirit. The film opens with a flash-forward sequence, setting the stage for Meursault’s confrontation with the complexities of life and death.

Set in 1938, the film unfolds against the backdrop of colonial Algeria. Ozon uses a combination of archival footage and cinematic techniques to illustrate the social and political climate of the time. As the story progresses, Meursault’s life is interrupted by the news of his mother’s death, leading him to engage in a series of seemingly indifferent actions that culminate in a tragic confrontation on a beach.

As the narrative develops, Meursault becomes embroiled in a murder trial, where the prosecution seeks to portray him as a psychopath due to his emotional detachment. The courtroom scenes highlight the clash between societal expectations and individual morality, echoing the themes of absurdism central to Camus’ work. The film’s exploration of these themes resonates with modern audiences, particularly in discussions about mental health and societal norms.

Ozon’s adaptation effectively eliminates the narrator present in the original novel, instead allowing the visuals and character interactions to convey the story’s depth. This decision has been met with mixed reviews, but many critics agree that it enhances the film’s emotional impact. The cinematography by Manuel Dacos offers striking contrasts and textures that complement the film’s themes, while the score by Fatima Al Qadiri provides an evocative soundscape that deepens the viewing experience.

The film is not only a homage to Camus’ literary legacy but also a reflection on contemporary issues, making it relevant to today’s audiences. Ozon deftly navigates the complexities of adapting a celebrated work, ensuring that “The Stranger” resonates with both long-time fans of the novel and newcomers alike.

With its powerful performances, striking cinematography, and thoughtful adaptation of a classic text, “The Stranger” stands as a contender for critical acclaim in 2023. While it takes creative liberties, Ozon’s film ultimately delivers a compelling exploration of existential themes that continue to challenge and engage audiences around the world.