Baxter Dury has unveiled his latest single, titled ‘Schadenfreude’, offering listeners a glimpse into his forthcoming album, ‘Allbarone’. The track is now available and showcases Dury’s unique blend of lyrical depth and electronic soundscapes. The album, which is set to be released on September 12th via Heavenly Recordings, promises to deliver an intriguing musical experience.

In creating ‘Schadenfreude’, Dury collaborated with renowned producer Paul Epworth in a studio setting that he describes as “palatial.” Dury expressed his enthusiasm for the creative process, stating, “As soon as we had the backing track, it remained on loop played through these giant bespoke speakers that looked like Cocaine Daleks.” This vivid imagery captures the essence of the track, which combines an optimistic, pulsating French dance rhythm with introspective and heartfelt lyrics.

The single features a sound that reflects Dury’s distinctive style, melding electronic beats with a lyrical exploration of complex emotions. He describes the track as having a “slightly over honest fragile man lyric,” which adds a layer of authenticity to the upbeat music.

To complement the release of ‘Schadenfreude’, a visually striking music video directed by Gareth Bowen has been produced. The video, crafted in collaboration with the London-based studio Blinkink, presents a chic and cinematic aesthetic that enhances the song’s themes.

Listeners can access the single and its accompanying video through various streaming platforms. As anticipation builds for the release of ‘Allbarone’, it is evident that Baxter Dury continues to push creative boundaries while engaging his audience with thought-provoking content and innovative music.

As Dury prepares for the album launch, fans can look forward to experiencing more of his artistic vision and the unique sounds he brings to the music scene.

In a gripping turn of events on the popular soap opera Emmerdale, character Dylan Pinders finds himself in a perilous situation after being stabbed in the leg. Despite the severity of his injury, Dylan, portrayed by Fred Kettle, refuses medical assistance, leading his friend April Windsor (played by Amelia Flanagan) to sneak him into a veterinary clinic for care.

The veterinarian, Paddy Kirk (played by Dominic Brunt), is taken aback when he discovers Dylan’s condition. After treating his wound, Paddy learns that Dylan is homeless and offers him a place to stay for the night. This act of kindness, however, does not shield Dylan from the darker elements of village life.

Later, drug dealer Ray (played by Joe Absolom) approaches Dylan with illicit job offers. While Mandy Dingle (played by Lisa Riley) is preoccupied, Ray reveals a hidden bag of drugs, raising the stakes for Dylan. The next morning, as Paddy and Marlon Dingle (played by Mark Charnock) prepare breakfast, Dylan chooses to ignore Ray’s persistent text messages.

As the plot thickens, Paddy, Rhona Goskirk (played by Zoe Henry), and Marlon are shocked to uncover that Dylan was the victim of a stabbing by Kyle Wincester (played by Huey Quinn). The men plead with Rhona not to inform Moira Barton (played by Natalie J Robb) about the incident, fearing further complications.

Dylan’s refusal of Ray’s illegal job proposals leads him to feel humiliated when he realizes that Paddy and Marlon are aware of his situation. As he leaves the pub, Ray observes Dylan and April walking together, suggesting that danger is looming. The dark implications of Ray’s intentions remain unclear: will he coerce Dylan into selling drugs, or could he threaten violence if Dylan defies him? With Ray now aware of Dylan’s close bond with April, her safety may also be at risk.

In an interview, actor Fred Kettle shared insights on his character’s motivations for returning to the village, indicating that his connection with April plays a significant role. He expressed, “I think they formed such a deep connection. There’s chemistry between them,” although he noted that Dylan remains uncertain about any romantic feelings toward April.

Fans can catch these intense developments unfold on Emmerdale, which airs weeknights at 19:30 on ITV and ITVX. As the storyline progresses, viewers are left to wonder what fate awaits Dylan and April in their increasingly dangerous circumstances.

Sydney Sweeney is experiencing significant backlash following her latest campaign with American Eagle, which has sparked discussions about race, marketing, and accountability. The 27-year-old actress, known for her role in *Euphoria*, became the face of American Eagle’s fall denim campaign, featuring the tagline, “Sydney Sweeney has great jeans” — a play on the phrase “great genes.”

A viral video showcases Sweeney in front of a poster where “genes” is crossed out and replaced with “jeans.” In another clip, she discusses genetic traits while highlighting her blue eyes. While the intention behind the campaign was playful, accusations of promoting racial undertones, eugenics, and white supremacy emerged on social media, largely due to the emphasis on genetics alongside Sweeney’s appearance.

As of the morning of July 29, 2025, neither Sweeney nor American Eagle has publicly addressed the controversy, a silence that has generated further criticism. Crisis public relations expert Eric Schiffer provided insight on the implications of this non-response, calling it “a toxic time-bomb” that could alienate shoppers who feel offended by the campaign. He noted that the silence could be interpreted as a sign of privilege, allowing critics to seize on the opportunity to amplify their concerns.

Sweeney, originally from Spokane, Washington, has previously navigated controversies successfully. Alexandria Hurley, a publicist based in Las Vegas, speculated that the ad’s provocative nature was intentional. She stated, “This is a calculated brand evolution,” suggesting that the campaign was designed to generate attention rather than simply mismanaged.

The campaign remains active on American Eagle’s website, which promotes Sweeney’s “girl next door charm” and “main character energy.” Yet, observers argue that charm alone is insufficient to address the growing public relations issue. Hurley emphasized that the tagline was “deliberately” provocative and that the racial undertones were clear.

Jonathon Narvey, CEO of Mind Meld PR Inc., suggested that American Eagle might have anticipated the controversy. He commented on how such media buzz can sometimes be a strategic element of marketing campaigns, even if the ad itself was not inherently controversial.

In light of the backlash, Christina Kroll, founder of Kroll PR, pointed out the importance of understanding cultural context and nuance in today’s media landscape. She noted that campaigns require the insight of seasoned professionals to navigate potential pitfalls effectively.

Grayce McCormick, a crisis communications strategist, emphasized the need for a direct acknowledgment from Sweeney. According to McCormick, doing so would humanize her and demonstrate accountability to her diverse audience. Meanwhile, Toni Ferrara, CEO of Ferrara Media, argued that not every controversy warrants a public apology, suggesting that Sweeney’s silence might be a strategic choice.

Publicist Alexandria Hammond highlighted the shared responsibility between Sweeney and American Eagle. She stated, “This situation is 75% American Eagle’s responsibility and 25% Sydney Sweeney’s,” stressing the need for diverse voices in decision-making positions within major brands.

As the conversation around this campaign continues to evolve, publicist Sarah Anne Schmidt advised that the response timing is crucial. She noted, “Silence creates a vacuum,” and emphasized the importance of a timely, empathetic response from Sweeney.

The unfolding controversy presents a critical moment for both Sweeney and American Eagle as they navigate the complexities of cultural sensitivity in marketing. How Sweeney chooses to respond, if at all, will be closely scrutinized as the public debate around the campaign continues.

The beloved character Aslan has made his much-anticipated arrival in Blackpool, Lancashire, ahead of the acclaimed production of The Lion, The Witch and The Wardrobe. This adaptation, which has captivated audiences in the West End, is set to begin performances at the Blackpool Winter Gardens on October 15, 2023.

The production features stunning visuals and a talented cast, bringing to life the enchanting world of Narnia. Audiences can expect a fresh take on the classic story, which has been a staple of children’s literature since its publication in 1950. The story follows the adventures of four siblings who discover a magical land ruled by the White Witch and the noble lion, Aslan.

Aslan, portrayed by James Lacey, plays a pivotal role as a symbol of hope and bravery. His character’s journey is woven intricately into the narrative, showcasing themes of sacrifice and redemption. Lacey’s performance has already garnered attention, with critics praising his ability to bring depth to the character.

A Memorable Experience Awaits Audiences

The production promises to deliver a memorable experience, featuring state-of-the-art special effects and an innovative stage design. Director Michael Fentiman aims to transport viewers into the heart of Narnia, where the boundaries of reality and fantasy blur.

The creative team behind this adaptation includes award-winning designers and musicians who have worked on various successful theatrical productions. Their collaboration has resulted in a show that not only appeals to children but also resonates with adults, making it a family-friendly event.

Tickets Now Available for Narnia Adventure

Tickets for the performances are currently available through the Blackpool Winter Gardens’ official website. Prices range from £25 to £65, depending on seating preferences. With shows scheduled through the end of November, early booking is encouraged to secure the best seats.

This production of The Lion, The Witch and The Wardrobe is part of a broader trend of theatrical adaptations that aim to breathe new life into classic stories. Aslan’s arrival marks not just the beginning of a new chapter for Narnia but also a significant cultural event for the local community, drawing in visitors from across the region.

Blackpool is known for its vibrant arts scene, and this production will undoubtedly contribute to the city’s reputation as a cultural hub. The excitement surrounding Aslan’s arrival reflects the enduring popularity of C.S. Lewis’s work and the timeless appeal of storytelling that transports audiences to magical realms.

In summary, with Aslan now in Blackpool, the stage is set for a spectacular performance that promises to enchant audiences of all ages. The combination of a beloved story, an outstanding cast, and innovative production techniques ensures that this adaptation will leave a lasting impression.