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Glasgow’s Duke of Wellington Statue Gets Unique Pigeon Upgrade

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The iconic traffic cone that has adorned the Duke of Wellington statue in Glasgow for nearly four decades has been replaced with a whimsical new addition. On March 4, 2024, a bronze statue of a pigeon reading a newspaper appeared atop the statue, situated on Queen Street, directly in front of the Gallery of Modern Art. The pigeon, engrossed in a copy of The Daily Dropping, also sports a miniature traffic cone on its head, adding a humorous twist to the installation.

This creative alteration is attributed to the street artist known as Rebel Bear. Renowned for their playful and provocative art, Rebel Bear is sometimes referred to as the “Scottish Banksy.” The artist took to social media on the evening prior to the installation, sharing images of the pigeon and stating, “The dignified and undignified of beasts. Located: well, youse know where.”

The Duke of Wellington statue, a prominent landmark in Glasgow, has long been a subject of local affection and bemusement due to its regular cone accessory. The installation of the pigeon statue not only offers a fresh visual element but also reflects the city’s vibrant street art culture. Rebel Bear has previously gained recognition for their work, including the notable mural titled Fear and Love, which can be found in both Glasgow and Edinburgh, as well as in international cities like Paris and New York.

Public reactions to the installation have been varied, with many expressing delight and amusement at the unexpected change. The pigeon statue has quickly become a talking point among locals and visitors alike, highlighting Glasgow’s reputation as a hub for bold and innovative street art.

As the city continues to evolve, this latest addition to the Duke of Wellington statue serves as a reminder of the playful spirit that characterizes Glasgow’s artistic community. With its blend of humor and artistry, the new statue of the pigeon reading a newspaper is sure to capture the hearts of many in the months to come.

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