KATS Delivers Enchanting New Twist on Cinderella in Latest Panto

The Kennet Amateur Theatrical Society (KATS) captivated audiences with their innovative rendition of Cinderella – After the Ball at the Kennet School from February 19 to 21, 2024. This enchanting pantomime, originally penned by Rita Pocock and first staged in Thatcham in 1989, offered a fresh narrative filled with witches, wolves, and whimsical chaos, all enhanced by contemporary elements and engaging musical performances.

Set in the fictional Kingdom of Donnington, the story unfolds as Prince Charming, portrayed with remarkable enthusiasm by Jenny Woolf, along with the hilariously clumsy Uncle Hazzy, played by Jamie Ledwith, embark on a quest to lift the kingdom from despair. With the support of Cinderella, enacted by Lily Clark, and a reimagined Fairy Godmother, brought to life by Gemma Cole, the group sets out for the Doomed Forest. They are equipped with inventive gadgets reminiscent of a spy film and accompanied by a spirited horse named Flash, represented by Cohen Roberts and Luke Johnson.

As their adventure progresses, the characters encounter various challenges, including a comically choreographed showdown with the Big Bad Wolf, portrayed by Billy Wild. The scene, complemented by the delightful singing of Leanne Marshall as Red Riding Hood, showcased the impressive range of talent within the cast. Seb Waddington, playing Rumble, added to the humor with his character’s comical appetite.

Yet, it was the dynamic duo of Edna and Ella, played by David Richardson and Andy Pocock, who truly shone in this production. Their comedic timing and engaging performances brought a vibrant energy to the stage, affirming their status as fan favorites.

KATS’ performance also highlighted the growing involvement of a junior chorus, enhancing the overall production. The inclusion of a gender-neutral character, Fabulous, portrayed with sensitivity by Joe Rollinson, added an inclusive dimension to the story, reflecting contemporary values.

Under the direction of Karen Richardson and produced by Emma Low, the production was a visual delight. The vibrant costumes and the cleverly designed set contributed to the immersive experience. The technical team’s ingenuity was particularly evident during the invisibility scene in the witches’ coven, where unseen hands manipulated objects, leaving the audience in awe.

In a notable achievement, KATS hosted its first relaxed performance during the Friday matinee. This initiative featured softer lighting and minimized loud noises, allowing a broader audience, including those with sensory sensitivities, to enjoy the magic of live theatre.

Overall, KATS’ rendition of Cinderella – After the Ball was a resounding success, blending classic storytelling with modern flair and inclusivity. The audience left enchanted, eager for the next theatrical adventure from this talented group.