Helena Hauff and F#X Revive Black Sites with New Album ‘R4’

In a notable return to the music scene, artists Helena Hauff and F#X have revived their collaborative project, Black Sites, with the release of their new album, R4. This marks the first full-length project under this name in over a decade and is being released through Berlin’s prestigious Tresor Records.

The album, recorded live to tape and intentionally left raw, showcases a distinctive approach that prioritizes instinct over polish. Hauff and F#X crafted the tracks without overdubs or revisions, emphasizing a direct connection to their equipment and creative instincts. This choice reflects a commitment to authenticity, allowing the music to resonate with a visceral energy that aligns with their shared influences.

Origins and Hiatus of Black Sites

The genesis of Black Sites can be traced back to their time as residents at the Golden Pudel in Hamburg, where both artists found common ground in their musical interests and a desire to experiment with technology. Hauff recalls that their early days were filled with intense creative collaboration, which eventually led to a natural pause as they focused on their individual projects.

“We had some things left unsaid, unfinished, and it felt like there was more to explore,” Hauff explained. “The project never quite reached its conclusion, and there was a sense that it was still waiting to be fully realized.”

Revisiting their earlier work inspired the duo to create a cohesive album. They listened to unreleased tracks, recognizing the unique sound they had developed, which motivated them to pursue the project anew.

Embracing the Punk Ethos

The album’s rawness has drawn comparisons to a “punk ethos,” a theme that recurs in discussions about their work. Hauff and F#X both express admiration for the simplicity and energy of punk music but are careful about labeling their own artistic identity. Hauff stated, “I don’t see myself as a punk… I like the energy of punk music. Also, I love simplicity and naivety in music.”

F#X is more open to experimenting with new technology, emphasizing the importance of tactile engagement with the machines they use. He noted, “When I can control a machine directly, I’m more willing to dive into further experimentation,” indicating a balance between traditional and modern musical tools.

As Black Sites continues to evolve, the artists have not yet outlined specific future plans for the project. However, both Hauff and F#X express enthusiasm for the possibilities that lie ahead, hinting at a willingness to explore new artistic directions.

The album R4 is available now, marking a significant chapter in the ongoing journey of Black Sites, showcasing the duo’s commitment to their craft and their shared vision of music as an ever-evolving art form.