Printmakers Revive Centuries-Old Techniques in Modern Art

Printmaking has evolved into a vibrant art form, rooted in centuries of tradition. Artists like Hilary Everest, Wendy Lloyd, and Isabel Carmona are not only preserving these age-old techniques but also reinventing them for contemporary audiences. As part of the upcoming Open Studios event in West Berkshire and North Hampshire, running from May 9 to 25, 2026, these printmakers are showcasing their unique approaches and interpretations of this historical craft.

The origins of printmaking trace back to 1st century China, where woodblock printing emerged. By the 15th century, these techniques had reached Europe, aided by the invention of the mechanical printing press. The 19th century saw the advent of steam-powered presses, which allowed for mass production. In response to this industrialization, many 20th-century artists turned back to traditional methods, such as etching and lithography, reigniting interest in hand-crafted printmaking.

Hilary Everest experienced a transformative moment during her artistic journey when she discovered a book on printmaking that belonged to her uncle, a wildlife illustrator. After completing a foundation course at Red Hot Press in Southampton in 2019, she transitioned from a career in graphic design to become a full-time printmaker. Everest describes printmaking as a discipline filled with challenges and unpredictability, stating, “There’s an unpredictability to the process that I find both exciting and rewarding.” Her work, inspired by nature and coastal experiences, has evolved from simple monochrome prints to intricate multi-block prints and reduction linocuts.

Wendy Lloyd, based in Newbury, also embraces experimentation in her printmaking. Originally trained in textiles, she combines techniques such as collograph, etching, and embroidery to create unique pieces. Lloyd explains her process, saying, “I use lots of techniques in one picture to try to achieve an effect… I do spend a lot of time proofing for colour.” Her affinity for the landscape, particularly coastal areas, deeply influences her work.

Isabel Carmona’s background in architecture and sustainable design informs her artistic practice. After experimenting with collograph printing during a workshop, she became captivated by the medium. Carmona emphasizes the transformative nature of printmaking, noting, “There is a sense of magic at the transformation.” Her recent projects include exploring the burial mounds at Wash Common and capturing the architecture of Donnington Castle through reduction linocut techniques.

The Open Studios event aims to highlight the innovative work of these and other artists, offering the public a chance to engage with the creative process. Artists must register by November 22 to participate, showcasing their artwork and techniques to a wider audience.

As printmaking continues to evolve, artists like Everest, Lloyd, and Carmona are essential in keeping these traditional techniques alive, while also inspiring future generations. The blend of historical context and modern interpretation makes their work not only relevant but also vital in the contemporary art landscape. Visitors to the event will have the opportunity to witness firsthand how these artists navigate the complexities of printmaking, celebrating both its heritage and its future.

For more information about the event and participating artists, visit www.open-studios.org.uk.